Equipment

Console and Recording

Solid State Logic 4056G – 48 channels – Total Recall – VCA Automation – Pro Tools HD2 Digital Multitrack – Mac Pro – 3 Digidesign 192 interfaces – 24 Input / 40 Output – Plug Ins: Digi Standards – Antares Autotune – Drum-a-gog – Bias Peak Pro Mastering – Otari MTR 90 II Analog Multitrack – Alesis MasterLink – BPT Digital 2-track (enhanced modifications) – Studer A80 VU MK IV – 1/2″ Analog 2-track – Apogee PSX 100 – A/D-D/A Converter

Microphones

Telefunken U47 Tube – Neumann M49 Tube, M149 Tube – SM23 Stereo Tube, U87 (2), U89 (2), KM 184 (2), SM23 Stereo – AKG C60(2), 414 (3),D112 (2), C451B (2 – Sennheiser MD 421 (7) – MD 441 (2) – Sanken CMS75 Stereo – Royer R122 Ribbon – Beyer M88 – Sony C48 – Shure SM57 (3) – Audix D6

Studio Monitors

EML – CRM 1000 Time Aligned Mains, ADAM – S3-A Nearfield Ribbon Tweeter Reference, Genelec – 1031 Nearfield, EML – NFM6C Time Aligned Nearfield

MIC Pres

Millenia HV3D (8 inputs), API 3124+ (4 inputs), Neve Prism/V-Rack (2 inputs) Dynamics and EQ modules, Focusrite Red (4 inputs), Night Pro PreQ3 (4 inputs)

Keyboards

Yamaha C7F Seven foot, six inch grand piano, Hammond B3 Organ/Leslie, Yamaha S90ES Synth, Roland S50 Sampler/keyboard, Korg wavestation ES

Drums and Percussion

Sonar drum kit/Zildjan cymbals, Miscellaneous percussion

Guitar Amps

Marshall JCM800, Vox AC 30, Mesa Boogie

Equalizers

(2) Manley Pultec, Tubetech PE 1B, Focusrite Red Series (stereo), NTI EQ3 (stereo), Orban 674 E (stereo), BSS FCS 960 (stereo), DBX 120XP Subharmonic

Compressors/Limiters

Manley Varimu stereo tube, ADL C/L 1500 stereo tube, (3) Emperical Labs EL8 Distressors, (2) Stereo Aphex Gates

Reverb/EFX Units

Lexicon PCM 41, PCM 60, LXP15 – TC Electronics M2000 – Ensoniq DP4+Yamaha SPX90 (2)